Metropolis
Photo Gallery Below

Arthur Cruz, Keyboards, Harmonica and Vocals

 
Birthplace & Background
Since my musical birth in November of 1971, when at the age of sixteen I was appointed organist at St. Michael the Archangel Catholic Church in Miami, I have served professionally in a variety of musical settings.

Musical Influences
The Americana, I was taught as a small child; my dad’s record collection of Latin; 60’s AM & 70’s FM radio; blues and progressive rock; classical from Gregorian chant to 21st century; jazz - fusion, bop, swing, ragtime and standards; country and folk; roots and world music; and concepts of art and communication, have all influenced my music.

Musical Background
As a member of Pearly Queen, Trapp, Ashes to Ashes, Alistar and Heaven I performed at teen dances, debutante balls and night clubs in South Florida. After graduating from college in 1977 I went on the road with Mickey's People, appearing through out the Southeastern United States. Returning to Miami I worked with my wife, Linda Falco, in Trickshot, Ecstacy and Cruzin during the 1980’s.

During the 1990's I switched to the piano-bar format, working at Stefano’s in Key Biscayne, Howl-at-the Moon in Coconut Grove, the Boca Raton Resort and Piccadilly Gardens in Miami’s Design District.

The new millennium found me free-lancing with various bands and artists including Clockwork, Cool Breeze, Coyote, Kimona, Leo Casino, Playback and Papa Joe's Band, in addition to my solo performances.

Where I'm At Now
In the fall of 2007 Metropolis invited me to perform with them. Although it was a satisfying, musical encounter scheduling conflicts delayed our coming together, along with Mario Carvajal, until June 2008.

What I'm Looking Forward To
As a member of Metropolis, I look forward to putting my own spin on classic rock and soul tunes for the listening and dancing pleasure of all music lovers, everywhere; or at least within forty miles of home.

Back to Meet The Band or
Visit Mario
Visit Scott
Visit Andres
Visit Erica

Arturian

Arturian

Arthur's Facebook photo. We borrowed it.

Arthur's Facebook photo. We borrowed it.

Our Blues Brother.

Our Blues Brother.

He can hear everything, he has In Ear monitors. SHSHSH!

He can hear everything, he has In Ear monitors. SHSHSH!

Arthur belting out a tune.

Arthur belting out a tune.

C'mon man, the lights aren't THAT bright.

C'mon man, the lights aren't THAT bright.

This photo captures Arthur's personality, mellow but ready to rock.

This photo captures Arthur's personality, mellow but ready to rock.

See that sly look in his eyes, he's gonna pull something fancy.

See that sly look in his eyes, he's gonna pull something fancy.

He's so mellow, except when he's in a fit of riffage.

He's so mellow, except when he's in a fit of riffage.

He wants to join the ranks of Men In Black, this is training.

He wants to join the ranks of Men In Black, this is training.

He's singing in an Arturian dialect. Part of his MIB training.

He's singing in an Arturian dialect. Part of his MIB training.

He's got his eye on the waitress to make sure his food is coming.

He's got his eye on the waitress to make sure his food is coming.

He can't hear a damn thing with those drums going ratatatat.

He can't hear a damn thing with those drums going ratatatat.

He looks like he's singing Sweet Home Chicago, but it's just the shades.

He looks like he's singing Sweet Home Chicago, but it's just the shades.

Contrary to false rumors he is NOT reading lyrics.

Contrary to false rumors he is NOT reading lyrics.

O.K. he fell asleep during a triathalon guitar solo....

O.K. he fell asleep during a triathalon guitar solo....